Punch in Canada

PUNCH IN CANADA
January 1, 1849- April 27, 1850

PUNCH IN CANADA.- We congratulate our lachrymose friends on the appearance of this antidote to melancholy, the first number is right good. We wish him full success.
-Patriot , Toronto.


John Henry Walker, publisher, engraver and caricaturist, was born in Ireland in 1831 and emigrated to Montreal in 1842. On New Years Day in 1849 Walker published the first number of Punch in Canada. It was the Dominion’s first comic journal. Walker designed the cover and engraved a full-page cartoon (“cut”) for each issue.



An advertising page, (which guaranteed advertisers a circulation of 2000 subscribers,)
said:

“TO THE MILLION.
PUNCH (IN CANADA !)
Published bi-monthly, illustrated with one large cut and numerous smaller ones.”

The price was four pence a single copy, 7s. 6d for a yearly subscription.
“Payable in advance.”

A page of the ‘Opinions of the Press’ shows that PIC was circulated in Quebec and Ontario. The press was laudatory, calling PUNCH IN CANADA a “merry little weekly” with a “marked Canadian character” who “while battling steadily against humbug, says he will belong to no party.”

PUNCH IN CANADA.- This satirical and funny old dog has arrived in Canada and taken up his abode, permanently we hope, in the good city of Montreal. We have received the first number of the publication, it is decidedly superior to anything of the kind that has ever been published in Canada. The illustrations are very good, and the periodical is certainly well got up.
- British American.

PUNCH IN CANADA.- The illustrations are very good. The wit will probably be found too pungent for some people. The best plan is for them to laugh at themselves. Punch, while battling stoutly at humbug, says he will belong to no party. -Quebec Gazette.



Walker drew the covers using the British Punch figure designed by John Leech. Punch was seen walking on snowshoe through a forest of pine trees accompanied by his harlequin dog. He wears a Hudson’s Bay Company parka, carries a hatchet on his belt and shoulders a backpack and was surrounded by vignettes. The cover changed over time and the vignettes showed the Punch figure sitting on a log in front of an habitant’s cabin smoking a clay pipe ; wooing a native woman, shooting buffalo on horseback, riding a sleigh and paddling a canoe, sharing a pipe with Indians, and conversing with racoons.

The letters for the word “Punch” resembled wood, while inside a central, prominent maple leaf was the legend “In Canada.”

The one large cut each issue consisted of a political comment by Walker. They were crude drawings but had a rough power. One effective cartoon was titled ‘The Prisoner of Monklands, (Suggested by “The Prisoner of Chillon.”)’ Walker was not the sole cartoonist, a man named Matthews drew some single-panel caption cartoons, others were signed simply with initials, such as ‘D’ and ‘FL’ The editors and authors of the text and poetry were also anonymous.



LITTLE BEN HOLMES AND SOME NAUGHTY CHILDREN
ATTEMPT TO PAWN THEIR MOTHER’S POCKET-HANDKERCHIEF,
BUT ARE ARRESTED BY POLICE-MAN PUNCH,
WHO WAS STATIONED “ROUND THE CORNER.”

Illustration by John Henry Walker

A hoary joke that still turns up to this day in humour collections had its origin in 1849 in PUNCH IN CANADA : “AN INDIAN CURIOSITY. Why does an Indian never get cold in the head ? Because he always has his Wig-wa(r)m.”

The following sample of the writing of the Punch gang may actually be a snapshot of the Punch in Canada offices, and J. H. Walker ( “Our artist” ) in the year 1849 ;

THE GOVERNORS VISIT TO THE PUNCH OFFICE.

It is not generally known but now it will be, that His Excellency the Governor General expressed a desire to visit the establishment of Punch in St. Francis Xavier street, and accordingly the talented boy who presides over the complicated affairs of that wonderful establishment, received a note from the Attorney General East, which on being translated to him by the renowned “Dolly” overwhelmed him with the announcement that His Excellency would drop in on the following day : unless he should on his way down, drop in some of the holes in the streets so obligingly provided for the disappearance of pedestrians by our energetic Corporation. Our indefatigable boy instantly began his preparations for receiving the illustrious visitor. The whole of our extensive frontage was swept at an early hour, and before the Big Bell of Notre Dame had sounded six o’clock, our extensive mat was well beaten against the Seminary wall. The boy with an axe and shovel proceeded to remove the snowy incrustations bestowed upon the doorsteps by the liberal hand of nature, and every thing was done by that precocious juvenile to confer honor on the Representative of Royalty.

The interior of our premises presented a very elegant appearance; the whole of the walls were covered with beautiful full length portraits of ourselves in our various costumes, and with posters got up with every desire to attract public attention, while the counter which had been vigorously scrubbed, presented an unbroken although dilapidated appearance of painted deal. In order to give an appearance of extent, our letter box was thrown entirely open, thus showing as far as eye could reach, an uninterrupted view of our interior. A special cabman was sent to some of our principal contributors, who however, not having cash or debentures to pay the fare refused to attend. Our artist was a noble exception to this discourteous behaviour. He immediately LOCK’D up his studio, put the key in his pocket, and, not caring whether the cab was paid or not, obeyed our summons; having first put on a clean collar, and carefully turned it down for the occasion.



At precisely one minute and two seconds and a half past ten, the facetious Editor smoothed the grey locks on his venerable brow, and took his station at the back of the till, keeping a strict eye on the boy, who was decorated with a fur cap of the order of “Ancient Mouser” to which was attached the black ribbon of the venerable sandal. Our artist wore, as is his custom on wet days and State occasions, the celebrated looped up, large flapped Spanish sombrero presented to him by “Santa Anna” some time after the battle of San Jacinto. Having remained until two o’clock in anxious expectation, the artist and the grey headed Editor went “sudden death” for beer. The grey headed Editor was the victim, and the boy being ordered to appropriate four pence, which a patriotic individual had deposited on the deal counter in exchange for No. 5 was on the pint of disbursing it for fluid, when the voice of the Attorney General East was heard to exclaim - “Mon Dieu, est ce la le bureau de Ponche” which freely translated means “my eyes, this is the magnificent dwelling of the celebrated Punch.”

The grey headed Editor instantly had a game of leap frog with the counter and received the Governor at the scraper, while the boy, pocketing the four pence, made a graceful obeisance. The scene at this moment was particularly grand ; but as description must fail to impart an idea of its sublimity, we shall refrain from entering into further particulars.

On the entrance of His Excellency, a procession was formed in the following order.

THE GREY HEADED EDITOR,
Carrying the Till of Maintenance;
THE GOVERNOR GENERAL,
Supported on each side by several pages of our publication.
THE ATTORNEY GENERAL EAST,
Supported by nothing.
OUR ARTIST,
Supported by himself.
OUR BOY, (with a Clean Face,)

In this order the procession moved slowly round the counter, and the grey headed Editor having deposited the till in a place of safety, proceeded to explain to the Governor the various branches of our establishment. The first thing that was brought beneath His Excellency’s notice was our paste pot, and as he expressed a wish to stick a bill, his desire was instantly gratified, and the Governor graciously posted the representation bill on the back of Mr. LaFontaine, and instructed him to carry it through the Houses of Parliament, in spite of any opposition.*
The grey-headed Editor then announced that a cold collation was spread in the wood closet ; but as he had previously uttered a bad joke, a gloom had been thrown over the party and the procession evinced a desire to move off.

Before leaving the premises His Excellency conferred the order of the half dollar as well as the trente-sous upon the grey-headed Editor, and put into the hands of our boy a copper medal, bearing the inscription “a bas du Canada.”

The crowd outside the office manifested their loyalty by calling a sleigh ; His Excellency and Mr. Attorney General East instantly slipped into it and slid away.

The Procession then moved off to lunch at “Dolly’s” in the following order:

THE GREY HEADED EDITOR,
Bearing the Till minus the Maintenance.

OUR ARTIST,
And his Hat.

The Boy has not been heard of since.

*Punch is sorry to add that he has since been informed that a notorious character named “Papineau” has willfully destroyed this cherished document.



In 1850 PIC publishing was moved to Toronto where the publication folded after one year. Walker went on to found the comic journals Diogenes and Grinchuckle. Other work appeared in The Dart, Jester, The Canadian Illustrated News and L’Opinion Publique. Walker may very well have been the originator of the legendary Johnny Canuck.

Walker was a master designer and wood-engraver and engraved much of the output of Montreal publisher John Wurtele Lovell, known as “Book-A-Day” Lovell, who published seven million cheap books a year. Walker died in 1899 in Montreal.